are discussed in the introductory part of the article. The foundation of Azerbaijani opera-vocal performance

was built on the Italian belcanto school.

Thus, the interpretation of other European vocal schools of that time becomes the subject of interesting rese-

arch in the work of Azerbaijani opera singers. It becomes interesting what methods the Azerbaijani vocal

performer uses when performing German works in German who was brought up on the basic principles of the

Italian school. At It is interesting to see what methods the Azerbaijani vocal performer, who grew up on the

main principles of the Italian school, uses when performing works in German and the German language. The

school principles reflected in the interpretation of the Azerbaijani singer are explained by comparative vocal

analysis during the performance of German vocal works.